Passive/Aggressive

Georgia – “The deepest politics possible happen within one person’s body” (interview)

February 4 2017

georgia-press Af Simon Christensen At følge Georgia er et følge en kontinuerlig strøm af seismisk aktivitet: Musik og animationer bobler ud igennem et studie i det store æbles Chinatown i et spekter af platforme bestående af film, soundcloud-tracks, radioprogrammer, designvirksomhed og de indtil videre 3 fuldlængde LP’er, som er udkommet med hjælp fra bl.a. Afrikan Sciences, Rashad Becker, Matt Werth fra RVNG Intl. og Caroline ...

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Steven Warwick – “This year was the worst year I can remember. How can that dread not manifest itself?” (interview)

December 10 2016

VA_031415-149 Interview af Alexander Julin Engelske Steven Warwick er bedst kendt under sit alias Heatsick. Siden 2006 har Warwick udgivet intelligent – man fristes til at sige: tenderende til det nørdede – elektronisk musik via alt fra hedengangne Beyond Repair (drevet af Jonas Frederiksen og Simon Formann) over Not Not Fun til PAN, hvoraf sidstnævnte bl.a. har udgivet LP’erne “Intersex” og “Re-Engeneering”. Nogle udgivelser har kendetegn ...

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Jyderup Accordeon Træf – A jetlag paradise

Feature November 10 2016

jyderup1 The fifth edition of the gathering / symposion Jyderup Accordeon Træf became a lesson in collectivity under the influence of improvisers Roscoe Mitchell, Charles Burnham, Mats Gustafsson, Kenny Millions a.o. Essay by Judit Csobod – photos Anders Børup.

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Jaleh Negari “Arch Waves” – A propagation of disturbances through space and time

Kritik October 27 2016

14567346_1160077640749977_8894475490697312400_o Jaleh Negari “Arch Waves” review by Javier Orozco The musical cartography of Jaleh Negari can be traced to her current role as drummer of the bands Selvhenter and Pinkunoizu, yet a distinct territory is trailed by the sounds advanced in her first solo album “Arch Waves” and published by Eget Værelse (a label and Copenhagen-based music collective she cofounded). “Arch Waves” shares some attributes ...

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Digital Materialism “From A Medium To Material” – メディアからマテリアルへ “データマテリアリズム” (essay)

Feature October 23 2016

スクリーンショット 2016-05-08 22.32.22(2) メディアからマテリアルへ “データマテリアリズム” – Essay by Yousuke Fuyama. Originally printed in ZINE #6 “Locating Electronic Music”. Please find English version below. データはそれを取り巻くテクノロジーの効率化と高速化の果てに、メディアとしての伝達のための形態と機能と同等かそれ以上に、マテリアルとして、それそのものとしてのリアリティを持つことになった。それによってデータ化されたコンテンツがストリーム上で識別・処理・交換されるための様々な入れ物としてのメタデータ、データ形式、ハードウェアといったメディア特性そのものの存在がコンテンツそれ自体を決定し得る強力な影響力を持ち始めることになった。コンテンツを主体としてそれに適した形式を選ぶのではなく、形式そのものが逆説的にコンテンツを規定し、変容させる。”意味の乗り物(vehicle)”であったデータが”自律的なフライングオブジェクト”へと変貌したのである。ナムジュンパイクとブラウン管、ジョンケージとラジオ、ピエールシェフェールと磁気テープの関係性に見られるメディアと創造性におけるテクノロジカルなパラダイムシフトと同様の現象を見て取ることができる。

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Tom Carter – Fireside Music and a personal appreciation of a Long Time Underground

Blog October 6 2016

tomcarter1280 By Javier Orozco The aptly titled arrangement Fireside Music takes place within the context of Kulturnatten, the Culture Night in Copenhagen. It is organized by Astrid Noacks Atelier’s curator and performance artist in her own right Jenny Gräf (who we interviewed earlier this year). The event will offer the opportunity to experience Tom Carter, Ka Baird who has been associated with the act Spires ...

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F.E. Denning – Waves of unstoppable noise

Blog Kritik April 23 2016

f-e-denning-under-the-linden-tree F.E. Denning “Under the Linden Tree” (The Tide of the End, 2016) – Review by Andrew Hannah On some ambient or drone records, there’s a feeling of stasis. As passages of music unfold – or don’t – as a listener you can feel moved without moving, your heart beats faster or slower, your synapses flicker to life … but physically things stay the ...

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The Necks – Et livsværk bliver til (interview med Chris Abrahams)

Feature November 5 2015

Copenhagen Jazz Festival 2012 Australske The Necks har udfordret os ved at udsende timelange hypnotiske (eller dødkedelige?) improvisationer i et velkendt trioformat, der tager selvet ud og lade musikken tale. Efter 25 år holder Chris Abrahams, Tony Buck og Lloyd Swanton stadig fast i den samme metode, som med tiden former The Necks til et sjældent livsværk i konstant udvikling. Dette interview er lavet umiddelbart inden The Necks’ fantastiske album “Open” (2013, eget label) ...

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