Passive/Aggressive

International Women’s Day – paying homage to brilliance

Blog March 8 2019 , af macon

Article by Laura Juncker and Astrid Hald Today is International Women’s Day, which gives us a chance to reflect on the state of things in our immediate surroundings. To look at the workings of what we might be working with. At first glance, we might ask what do the obvious, hard-fact, explicit numbers and ratios tell us? For example, how many female names have ...

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Kætø – Teasing the means of production

Kritik February 18 2019 , af mikkelarre

Kætø ”Poppers and Rotation – Processen” (self-released, 2019) – review by Wieland Rambke Pop music as a phenomenon is both private and public. The daydreams that pop music evokes and communicates are inherently personal. A well-made pop song makes us feel that we stand in personal correspondence with the artist. At the same time, this experience is shared with everyone that the song is singing to. It ...

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Croatian Amor – Examining the lethargic melancholia of the digital age

Kritik January 31 2019 , af mikkelarre

Photo: Jane PainPhoto: Jane Pain Croatian Amor: “Isa” (Posh Isolation, 2019) – review by Ivna Franić Returning with his first album since 2016’s gorgeous “Love Means Taking Action”, Croatian Amor once again delves into desolate moods and meditations on navigating the digital world. If the previous LP hadn’t made it clear enough that the project was moving away from the tried combo of warm bubbly synths and ...

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Year End – Memories of a time without Spotify

December 20 2018 , af passive/aggressive

By Javier Orozco I spent the last 14 months without a stream-on-demand music service, which unsurprisingly affected how and what I listened to throughout this period. It created a sensation of being behind, records I read about that I did not get to listen in their entirety or that had to be pulled from other sources (a YouTube ad-blocker turns out to be the ...

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RS Produções – Sparse productions filled with contagious energy

Kritik December 19 2018 , af alexanderjulin

RS Produções “Bagdad Style” (Príncipe, 2018) – review by Alexander Julin Mortensen, photo by Marta Pina Príncipe has been one of the most prominent labels challenging dominant (Western) norms of dance music by putting out, among other genres, kuduro and batida affiliated electronic music from what seems like a growing number of promising Portuguese producers. “Bagdad Style”, the first EP from the RS Produções ...

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Tanja Vesterbye Jessen – A caustic songwriter-gem

Kritik December 14 2018 , af passive/aggressive

Tanja Vesterbye Jessen “Feeling Love” (The Cat Box Corp., 2018) review by Javier Orozco. “Feeling Love” is a guitar based album held together by tension. In spite of this being her first solo material, Tanja Vesterbye Jessen does not lack a trajectory in Copenhagen’s underground: Vinyl Dog Joy, Amstrong and currently Distortion Girls are some of the acts she has associated herself since the ...

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