Dedekind Cut – Ruly ambiance (live report)
Review by Ivna Franic, Dedekind Cut @ Mayhem, 8.11.2017.
With one of 2016’s finest albums, an excellent recent EP, two great mixtapes and a record deal with Kranky under his belt, Dedekind Cut was easily one of the most significant names to have played in Copenhagen this concert season.
A packed venue on a regular weekday testified to that, the fixed up Mayhem also proving to be a near-perfect setting for Dedekind Cut’s absorbing ritual.
Red candles and the lack of reflector lights set the mood for an intimate evening not quite as ominous as it might have appeared at first, yet not necessarily gentle either. Dedekind Cut, real name Fred Warmsley, starts the set off with a wash of ambiance that doesn’t lead to a potentially expected outburst of noise. Instead, more abrasive parts appear as razor sharp cuts through the ambient (as well as the literal, fog machine generated) haze. Læs resten
Jacob Kirkegaard – Sound-in-itself as a political statement (interview)
Interview by Jockel Liess and Mette Slot Johnsen – photo: Katinka Fogh Vindelev, Takashi Arai and Jacob Kirkegaard
Jacob Kirkegaard has just come back from a last visit to his first major solo exhibition at Roskilde Museum of Contemporary Art, “Earside Out”. An exhibition which displayed Kirkegaard’s work as a sound artist, although his body of work spreads into field recordings, film sound, photography as well as producing and creating experimental music. “Earside Out” garnered much interest and Kirkegaard’s parting gesture was to give a talk in the local library, very much preaching to the unconverted. It sounds like hard work, but Kirkegaard seems to enjoy precisely this, and very much prefers it to being idle.
Our conversation with Kirkegaard starts by discussing “Earside Out”. In relation to the exhibition he states that the biggest challenge in presenting his sound installations to new audiences is to engage them to the point where “the audiences really listen, and not cover their ears when presented with the previously unheard”. He aims to keep the audience receptive. “In a way with art it is the same way as in all aspects of life. If you meet someone new you don’t want to close them up. You want to say what you have to say without losing or offending them immediately. The important point is to strike a balance between provocation and keeping your audience with you.”
Even so Kirkegaard doesn’t want to spell out or oversimplify his aims, he tries “to create works that are open to how you understand or grasp them, thereby leaving the audience to be free and have space to give their own interpretation.” To illustrate this he quotes John Cage: “I like to be moved, but I don’t like to be pushed”. Læs resten