Passive/Aggressive

These New Puritans – Music critique as an art form and the end of the world as compositional imperative

Blog March 16 2019

Essay by Macon Holt “Critique is so limiting and emotionally draining. I have always wanted to do something long form, beyond opinion; dip my toe into an exploration of origin and essence; the metamorphosis of spirit into reality.” — Morf Vanderwalt, “Velvet Buzzsaw” These New Puritans are a British band, formerly on Domino records, who initially garnered attention in 2006/7 as the arty-ist members of ...

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International Women’s Day – paying homage to brilliance

Blog March 8 2019

Article by Laura Juncker and Astrid Hald Today is International Women’s Day, which gives us a chance to reflect on the state of things in our immediate surroundings. To look at the workings of what we might be working with. At first glance, we might ask what do the obvious, hard-fact, explicit numbers and ratios tell us? For example, how many female names have ...

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Acronym & Kali Malone – Bringing out the best of both worlds

Blog February 21 2019

Acronym & Kali Malone “The Torrid Eye” (Stilla Ton, 2019) – Review by Ivna Franić. Bringing together two distinct voices of Sweden’s underground music scene, “The Torrid Eye” sees techno producer Acronym (aka Dan Vicente) team up with the Stockholm-based American composer Kali Malone for a five-track release on the former’s recently launched label, Stilla Ton. While Malone rounded off 2018 with not one but ...

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Perfect Aesthetics showcase – ambient synth romanticism at Mayhem

February 13 2019

Preview by Ivna Franić This Thursday at Mayhem, Moral Defeat presents a showcase from the Russian label, Perfect Aesthetics, featuring performances by Burning Pyre, Måla, Marble Bust and Ato Vari, with DJ support from Yuri. An evening of ambient synth romanticism to accidentally, or perhaps not, take place on Valentine’s day.

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Jupiter Child and Calú Carlos – Mozambican Electronic Night

Blog February 6 2019

Preview by Laura Juncker Jupiter Child, based in Copenhagen, and Calú Carlos, based in Oslo, are Afro-Scandinavian performers and celebrators of the Mozambican sound universes from which they both originate. As their African heritages guide, inspire, and permeate their respective works within the arts and music, February 8th will be the first night they perform together in collaboration at Mozambican Electro Night at Råhuset.

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JH1.FS3 – a record at its strongest when it dares to be fragile

Blog February 4 2019

 JH1.FS3  “Trials and Tribulations” (Dais Records, LP) – Review by Mikkel Rørbo Tension. Not anxiety-laden tension, but rather demanding of a specific kind of unrelaxed attention, one from which you cannot withdraw entirely on your own terms. This is the effect experienced already on the first listen to ‘Every Little Detail’ as Frederikke Hoffmeier’s spoken word commences. It’s detailed and imperfect, concrete in its ...

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Mark Fisher – Or how K-Punk intensifies the political possibilities of music

Feature January 21 2019

“K-Punk: The Collected and Unpublished Writings of Mark Fisher (2004-2016)”, edited by Darren Ambrose, Repeater Books, 2018 – Essay by Macon Holt. Mark Fisher was the most important music critic of his generation. And in some ways, he continues to be so despite taking his own life over two years ago. I think one of the main reasons for this was that, for Mark, ...

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