Passive/Aggressive

Tanja Vesterbye Jessen – A caustic songwriter-gem

Kritik December 14 2018, af passive/aggressive

Tanja Vesterbye Jessen “Feeling Love” (The Cat Box Corp., 2018) review by Javier Orozco. “Feeling Love” is a guitar based album held together by tension. In spite of this being her first solo material, Tanja Vesterbye Jessen does not lack a trajectory in Copenhagen’s underground: Vinyl Dog Joy, Amstrong and currently Distortion Girls are some of the acts she has associated herself since the ...

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Heather Leigh – Unsettling intimacy

Kritik December 8 2018, af passive/aggressive heatherleigh

Heather Leigh: Throne (Editions Mego, 2018) – review by Ivna Franic. If you’re at least somewhat familiar with Heather Leigh’s music − be it by way of the stunning 2015 album “I Abused Animal”, her recent duo with Peter Brötzmann or especially her earlier, live-recorded material − you would be forgiven to be slightly taken by surprise by “Throne”’s opening lines. “You’re so interesting”, enchants ...

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Vort Fatum – New black metal festival arises at Mayhem in 2019

December 7 2018, af passive/aggressive 1

By Simon Christensen Hosted by the people of Korpsånd and (the Copenhagen venue) Mayhem, a new two-day black metal festival is taking place for the first time in March 2019. The program is dedicated to the raw, contemporary black metal and will be headlined by Carved Cross from Australia and the two Montréalais bands Verglas and Akitsa, both bands released on the excellent label ...

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Courtesy – Adding nuance to the Copenhagen techno sound (interview)

November 30 2018, af passive/aggressive Courtesy-4-Please credit Kasia Zacharko

Interview and reportage by Cameron Pagett. Additional photos by Kasia Zacharko. A liberal array of red and blue light columns course across a very crowded floor. The beginning hours of morning have fallen over the city and again I am perched at the lighting desk in Volume KBH. Another year, another chapter in diy-organiser Fast Forward’s history unfolds in a smokey ...

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Freedom To Spend – “Right now is the best time to be a fan of strange and forgotten music”

November 26 2018, af Alexander Julin FTS-FreedomToSpend-Flag-Logo

Interview by Alexander Julin Freedom To Spend started in 2017 as a sub-label to RVNG (Visible Cloaks, Oliver Coates, etc). While several other people contribute to the label, some of the primary forces behind are Matt Werth from RVNG as well as Jed Bindeman and Pete Swanson (who, on a note, also produced some phenomenal solo records in 2010-2013 and was a ...

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Korpsånd – Black metal-heresy should be praised! (interview)

November 22 2018, af passive/aggressive korpsaan

By Simon Christensen In February this year the American tape label Fallow Field sent out a double cassette tape with a collection of new Danish black metal under the name Korpsånd, “an introduction to new wave of raw DKBM”. Korpsånd (en: corpse+spirit) that connotates both a brotherhood and rising from the dead, is a term coined by Jesper Bagger Hviid, musician, sound engineer and ...

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Insomnia Festival – Northern Exposure (live report)

November 17 2018, af passive/aggressive kinoFIN2

barbieriogtromso 2 Insomnia Festival 2018, Tromsø. Reportage by Ivna Franic, 135 mm analogues by Lea Anic. It’s near impossible to talk about the world’s northernmost festival of electronic music without highlighting its distinct geographical position and landscape, so let’s just get that out of the way. Taking place ...

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PAN – Electronic music’s adventurous rebellion turns 10

November 12 2018, af sandra PAN

PAN 10 Years feat. Bill Kouligas, Puce Mary, Tzusing, Eartheater, Amnesia Scanner, Objekt and M.E.S.H., Berghain, October 2018 – live report by Sandra S. Borch Since its launch 10 years ago, the Berlin-based label has touched noise, drone, improv, techno, dub, ambient, and several other genres, stretching and redefining electronic elegance. PAN is as messy as it is elegant. PAN is complicated. PAN is hard to ...

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Sugar – Submerged on the dance floor

Kritik October 25 2018, af mikkelarre sugar

Sugar “No Sex Only Feelings” (Euromantic, 2018) – review by Cameron Pagett Sometimes it’s good to let loose… really loose. Have the ability to let yourself go and simply move and enjoy the moment, twist your hips, turn your head and give in. It’s nearing 3 AM in Volume KPH at the gateway to spring with the windows shaking and nearly giving out from the booming ...

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