Rewire Festival – Crossing decades and genres with Laurie Anderson (and then going into the dark)
Rewire Festival, The Hague, Netherlands, April 6-8 2018 – live report by Mette Slot Johnsen. Photo by Pieter Kers, Rewire.
In its 8th year Rewire Festival – The Hague’s festival for adventurous music – is adding a new concept to the already progressive programming. The Artist In Focus strand is the festival’s attempt to go further in-depth with two selected artists; a headliner and a New Artist in Focus, i.e. an upcoming artist. Each artist participates in talks and performances and has several works presented in various forms throughout the weekend.
This year’s Artist in Focus is befittingly Laurie Anderson. Crossing decades, music genres, and art forms she makes a perfect – and very popular – first pick. She hits squarely in the musical heart and head of the Rewire audience. Læs resten
Intonal Festival – En fejring af eksperimentel musik i alle former (interview)
Af Alexander Julin
Intonal Festival startede i 2014 med en hjælpende hånd fra bl.a. CTM Festival og Unsound. Festivalen er med årene blevet et mere selvstændigt foretagende, hvis kuratering vidner om en særegen profil, der ikke blot er sammenfaldende med de aktører, der i sin tid bidrog til at etablere Intonal. For fjerde år er Intonal med til at sætte Malmö på landkortet og derved gøre op med enhver given antagelse om, at de mest interessante kulturelle begivenheder nødvendigvis finder sted i eller omkring hovedstadsområdet. Læs resten
The Empire Line – The Oslo report
Reportage from The Empire Line, Varg, Croatian Amor, Vanity Productions at Blå, Oslo, 22.03.2018. Text and images by Cameron Pagett.
There is a river which runs through the heart of Oslo. Beginning in the mountains and trickling its way down from the Artic sea on the northern tip of our continent, past fjords and craggy peaks which carve the stocking shaped country’s landscape into an epic, serene and quiet place. The sun is out and snow covers most of the hilly and forested terrain as we begin our final approach into Oslo. The closer we get to land the more visible the open spaces cutting through the trees reveal themselves as ski slopes and the entire country begin’s to resemble one giant ski resort. It’s early afternoon when we land, and I am seated some way behind Posh Isolation founders Christian Stadsgaard and Loke Rahbek, who after a decade of releasing music out of a DIY-ethic in Copenhagen are now traveling with international acclaim. It’s my own first time in the country and for Stadsgaard his first in 11 years, and a first ever showcase here for Posh Isolation. After a brief rendezvous at a convenience market in the airport we separate without words to our lodging places beginning what would be an interesting evening in the last major city of the North. The sun is shining, the snow is melting and the river runs with momentum along the clean and well manicured banks before meeting the inner fjord on which the city stands. Somewhere near the end of the river is a brick building covered in graffiti named Blå. Now an establishment, and opened since 1998 this river-side, somewhat historic and unassuming space would be the host for our evening.
Children step into the train with ski’s and snow-suits (quite regular I hear) as I exit into the city centrum and head to my Airbnb. There are a few hours to spare before the show, and walking around feels like visiting an old friend in a new place. Passing the Nobel Prize house and the Museum for Surrealist Painter Edvard Munch, I get the idea that this place holds everything I have heard about but couldn’t locate from first-hand memory. Slinking atop a small table in the dark my Airbnb host who closely resembles an opiated railway worker from the 1800’s crossed with mid-life Gollum looks at me suspiciously when I arrive. After some convincing that it was me he was hosting, he asks me if I can just come back later because he is not ready. I am not too fond of the idea, and I am put in a made-over closet for the night. Luckily the bed isn’t half bad, and even though he won’t stop staring at me from his table-top perch by the corner near the door I feel happy that the night will soon begin. Oslo is a small city, smaller then Copenhagen, I am staying on the opposite end of the city from Blå and its only a 20 minute walk. Camera is in my backpack, time to move, it will be a tale of two or possibly an endless night. Læs resten
MaerzMusik – Deconstructed and recomposed (a live report)
From minimalistic set up to extraordinary executing on the stages. This year’s edition of the annual festival MaerzMusik in Berlin was a hydra of different kinds of political critique of modern culture through contemporary music and sound. Sandra S. Borch highlights a carefully selected set of key performances during the 10-day long festival.
Yves Tumor – Perfectly unpredictable (live report)
Yves Tumor, Khalil, Scandinavian Star and Soho Rezanejad hosted by Lowlife Scum and Knife Magazine at Mayhem 23.3.2018. Review and all photos by Cameron Pagett.
“Don’t fuck with my shield! Don’t fuck with my shield! …”
It’s the fourth and final set on a crowded Mayhem night and the headliner Yves Tumor has broken or rather, ripped his way through his plastic cage which had separated him from the audience for much of the first portion of his set. The music, or rather the drilling, cerebral, sordid symphony of siren like noise complete with jackhammering, invasive vocals called from the fog for a sense of security. Young men scurried from the imaginary room once partitioned by painter’s plastic which still adorned the majority of empty wallspace in the room.
“Don’t fuck with my shield! Don’t fuck with my shield!” Cries for respect in the midst of full body assault sound filled the space momentarily. Yves stares into a young woman’s eyes standing beyond the table with his controls resting on it. Stares into her eyes possessed with the same madness jolting from the speakers. This is aggressive. Engage or leave.
Mayhem. Læs resten
Shelter Press – I ambientmusikkens randområder
Introduktion til Shelter Press af Emil Grarup
Shelter Press er, som de selv kalder det, en “kuratoriel platform” for udgivelse af kunstnerbøger, lydkunst og eksperimentalmusik. Selskabet er baseret i de franske alper og blev grundlagt i 2011 af forlægger Bartolomé Sanson og billed- og lydkunstner Félicia Atkinson. Shelter Press har fået en del opmærksomhed på det seneste, især på grund af Félicia Atkinsons enigmatiske “Hand In Hand”-udgivelse fra maj 2017, som også var min oprindelige indgangsvinkel til projektet.
I dette indlæg vil jeg forsøge at introducere Shelter Press og deres praksis gennem en række præsentationer af de udgivelser, der er udkommet på selskabet i løbet af det sidste år, som jeg har fundet særligt interessante.
Fast Forward – The past is recent and the future is wide open (interview)
Interview and images by Cameron Pagett
“I like it,” Nikolaj Jakobsen remarks with a gratifying sip of beer as I inquire about the infamous Fast Forward Alien Head logo. Lukas Højlund pauses in the moment and mentions; ”Yeah, it was never supposed to be the logo … on the first party at Ungdomshuset we put all sorts of things on the poster … We also had the bio-hazard symbol, but it’s not really the logo.”
I still have the first Fast Forward poster on my desktop, 2015 is not so long ago, but looking at the visual building block and having a reasonable understanding of what happens next after 400 people danced the dark away at Ungdomshuset I am feeling nostalgia. The poster feels retro now and it’s undeniably cozy when I reckognize some of the same people have played at recent shows and one played at the two year anniversary in November. Two years really isn’t so long ago, but after 30 raves, an eternity of shared memories, an explosion of growth, a new, unique agency and thousands of stories within a growing community the first party with the first Alien Head feels ages away.
Two years after the first poster I have the same alien head on my scarve shielding my face from a cold wind off Istedgade, I am finally on my way to a Fast Forward Party. A fairly recent resident in Copenhagen I mostly heard about Fast Forward through my girlfriend after buying her the Alien scarf from Posh Isolation’s 8 year celebration in March, 2017. I didn’t realize then that the unofficial official logo was connected to the agency and collective currently throwing the biggest techno parties in Copenhagen. Now less then a year removed I’m stuffing a warm durum in my backpack to hold me through the night and I’m cycling to work past kl. 23 at the much anticipated two year anniversary party located centrally in the large former train warehouse KPH Volume in Vesterbro. The windows are shaking and the walls pulsing to the opening tracks from Bunker Bauer power group Sella Turcica and Osvald Lund Rønde, and I am feeling any late night fatigue fade from my body as each sound wave pushes it out. It’s still early, I greet familiar faces, meet new ones, orient my camera and enjoy a nice beer with the door girl while devouring a now lukewarm durum kebab.
The floor is already vibrating with a small contingent of earlies enjoying an explosive, seething opening set from Sella Turcica and Rønde. I begin to wander through the space and start my night. Volume consists of two rooms with the entry room consisting of a large coat area and a rather impressive visual installation made specifically for the event by Fast Forward Collective Artists Ida Engelhart and Sara Konoy. The artwork and excellent lighting system from Tobias Molter and Paloma Cuesta is already bringing a special ambiance to the half full warehouse, and is not at full strobing power yet, but is still pushing out enough vibrant streams of color and mystery onto the floor to inspire. My camera begins to feel ready after the first couple of beers start to hit me and I feel myself unthaw from the cold ride. I’m feeling it’s time to start work and take my first pictures. Læs resten