Johan Carøe – There is no need to resist imperfection
Kritik
November 6 2019, af mikkelarre

Johan Carøe ”zenmetal” (No Technique, 2019) – review by Wieland Rambke
There is something hypnotic about the sound of sound on warped tape: When the recording begins to warble, and both speed and pitch start stumbling, a sort of micro-tuning of time is taking place. The medium itself is loosening up, it is letting go.
The press text for “zenmetal”, Johan Carøe’s debut EP ...
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Puce Mary + Drew McDowall + Kali Malone + Manisdron – Reliable Noise (live report)
November 4 2019, af mikkelarre

Kali Malone
Percy x Knife Fest, October 24th at Mayhem, Copenhagen – live report by Ivna Franić, photo by Jakub Jezný
A few days before Halloween Percy Records and Knife Magazine joined forces with Alice for a night potentially dark and full of terrors, with a heavy bill featuring Puce Mary, Drew McDowall, Kali Malone and Manisdron. (The second part of their mini festival ...
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Passive/Aggressive #8 – Scenic Capitalism, Nostalgia Machines and the need for Interpretative Communities, to be released in November
October 28 2019, af passive/aggressive

The eighth annual, international Passive/Aggressive zine is set to be released in November as part of the program for Gong Tomorrow 2019. The zine opens with a critical essay on Brian Eno’s notion of the scenius from a materialist perspective and arguing instead for Kodwo Eshun’s conception of Interpretative Communities. Unlike the scenius, which foregrounds the capacity of this social form ...
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Pretty Nihilist Pop – Defending Charli XCX against her devotees
Feature
October 18 2019, af passive/aggressive

By Mandus Ridefelt
When Charli XCX released “Charli” in September 2019, it was her third full-length album and her first after the 2016-17 mixtapes, “Vroom Vroom”, “Number 1 Angel” and “Pop 2″, that had defined her as an artist”. Particularly, the ingeniously titled “Pop 2”, which established Charli XCX as a central figure to what commonly was referred to as ...
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Ata Ebtekar aka Sote – Rethinking traditional acoustics with a cross-cultural mind set (interview)
October 10 2019, af passive/aggressive

Sote. Photo by Arash Bolouri
Interview by Sandra S. Borch
“I get up early in the morning around 5:30 am, I go for a walk in nature, do some sound programming for a short while, take my son to preschool, and then I go to my office to work on my compositions,” Ata Ebtekar says. It sounds like a standard everyday ...
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“Sonic Warfare” – An Introduction to Steve Goodman’s vibrational ontology
Feature Most read
September 24 2019, af nilsbloch

Essay by Macon Holt
In 2009, the producer, label owner (Hyperdub), philosopher and reluctant academic, Steve Goodman (Kode 9), released a book that would transform the philosophy of sound and, in turn, open up whole new avenues for sonic investigation through both theory and practice. The book was “Sonic Warfare: Sound, Affect, and the Ecology of Fear” from MIT Press.
Structured ...
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Animaux Animé – Death disco transcending the personal
June 28 2019, af mikkelarre

By Wieland Rambke – photo: Thomas Sørensen
From a landscape in bright, vibrant colours, animal shapes emerge, almost unrecognizable, caught in motion in twisted stances, their colours just as lively as those of the lands that have given birth to them. Between 1944 and 1946, Danish artist Asger Jorn painted “Animaux Animé” – meaning both “animated animals” and “lively animals”. The painting ...
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Brad Mehldau – The Prophet is a Fool
Feature
June 24 2019, af passive/aggressive

Brad Mehldau “Finding Gabriel”
By Macon Holt
This video/track/essay/statement recently released by the critically acclaimed jazz master Brad Mehldau is infuriating. Not least because the instrumental musical elements of “The Prophet is a Fool” do seem to accurately enunciate something of the violence, anxiety, and pseudo-stability of the contemporary moment in a way that the discursive and representational components ...
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Peter Jørgensen – Waking us up from reality, weaving us into a dream
Kritik
June 21 2019, af mikkelarre

Peter Jørgensen ”Alt i stykker” (No Technique, 2019) – review by Giuseppe Pisano
Along the years Peter Jørgensen has developed a compositional style that shares common elements with both the new wave of Scandinavian electronic ambient music and the modern-classical long form experimentations of either minimal-music composers such as Morton Feldman and more recent figures in the contemporary music panorama such as ...
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