Pinkman – Celebrating five years of distribution
Af Sandra S. Borch
Through the past five years the Rotterdam imprint Pinkman has established itself as one of the most consistent platforms for pushing and distributing retro-futuristic and driving electro grooves. This is marked with a compilation series called “Five Years of Tears”, and the first selection up features three usual suspects and one newcomer. Læs resten
Exploded View – The art of cool (live review)
Review of Exploded View @ Loppen, 5.6.2018 by Ivna Franic.
Last week’s Exploded View concert at Loppen was one of those gigs you could have easily missed out on, be it because you weren’t aware it was happening or because the band’s name didn’t ring a bell in the first place. But perhaps that shouldn’t come as a surprise.
The band’s frontwoman Anika has several acclaimed releases behind her – including Exploded View’s 2016 album for Sacred Bones, as well as her own debut LP recorded with Geoff Barrow’s (of Portishead fame) band Beak> and last year’s intriguing collaboration with Shackleton on Behind the Glass LP. In spite of some pretty impressive references, Annika Henderson – also known simply as Anika – had always seemed to prefer to maintain a low profile, representing an anomaly of sorts in contemporary music landscape. The Berlin/UK musician’s project Exploded View is a four-piece band assembled in Mexico City: apart from the regular members Hugo Quezada and Martin Thulin, this time the band was joined by Paulina Lasa. Læs resten
U.S. Girls – Sororal Feelings (in Copenhagen)
U.S. Girls @ Hotel Cecil, May 6th 2018 – live review by Ivna Franic.
So apparently 2018 is the year I finally get to see some of my old underground heroes such as Félicia Atkinson, Circuit des Yeux and U.S. Girls live for the first time. About a decade since they’ve started out as experimental solo outings, some of them have gradually evolved into actual bands. And while Circuit des Yeux’s show a few months back suffered from letting the band run loose with a dash too many jamming moments, U.S. Girls’ Meg Remy keeps her 8-piece (!) ensemble focused throughout the show, any eventual jam out perfectly finding its place in the song’s dramaturgy. Læs resten
Moor Mother – Haunting the present with a DIY Time Machine
By Sandra S. Borch
The revolutionary thinking of Camae Ayewa also known as Moor Mother explores time travel while distorting history as she haunts the presents with her performances spanning from the incisive spoken word, punk attitude and free improvisation. Passive/Aggressive gives an introduction to her work, ahead of her appearance at the forthcoming edition of Click Festival in Elsinor and her return to Kimia, which was announced just a few days ago. Læs resten
Not Your World Music: Noise in South East Asia – Artist talk with Cedrik Fermont
Transcription by Simon Christensen and Javier Orozco.
Not Your World Music: Noise in South East Asia is a book by Cedrik Fermont and Dimitri della Faille about art, politics, identity, gender and global capitalism. From academic electronic music to do-it-yourself noise in Southeast Asia. Contemporary and past noise, electroacoustic, industrial, experimental music and sound art in Cambodia, Indonesia, Laos, Malaysia, Myanmar/Burma, The Philippines, Singapore, Thailand, Vietnam. With political, historical and sociological essays, exclusive interviews with artists and organizers, as well as an extensive bibliography of popular music from Southeast Asia and a thorough discography of noise and experimental music artists.
A compilation, which includes exclusive tracks from artists of these different regions, was released by Fermont’s label Syrphe as a companion to the book. “The compilation is an attempt to cover a varied range of noise and experimental music from Southeast Asia. Limited to just over one hour, the CD format does not allow us to fully cover the richness of the scene,” Syrphe states. “However, we did our best to include a diverse group of artists. We have selected female and male artists, DIY and academically trained musicians, and newcomers and established artists.” Not Your World Music: Noise in South East Asia was awarded the Prix Ars Electronica 2017.
C-drík is a composer who operates in the field of noise, electronic and electroacoustic sound since 1989, born in Zaire (DR Congo), he lives in Berlin (Germany). He explores electronic, experimental and noise music from Asia and Africa, label manager at Syrphe, concert organiser, author, radio host at Radio Staalplaat and Colaboradio, etc. He published his work on various labels such as Syrphe, Ant-Zen, Hymen, Hushush, Ad Noiseam, Nostalgie De La Boue and many more.
Cedrik Fermont (Syrphe) gave this artist talk at Jazzhouse in Copenhagen in November 2017, hosted by Thorbjørn Tønder Hansen artistic director of the festival Gong Tomorrow. Læs resten
Passive/Aggressive – New nonprofit zine on activism in contemporary music
The seventh edition of the ZINE by Passive/Aggressive, which deals with the complex relation between music and politics, is released in April 2018 and distributed at production price. Læs resten
Rewire Festival – Crossing decades and genres with Laurie Anderson (and then going into the dark)
Rewire Festival, The Hague, Netherlands, April 6-8 2018 – live report by Mette Slot Johnsen. Photo by Pieter Kers, Rewire.
In its 8th year Rewire Festival – The Hague’s festival for adventurous music – is adding a new concept to the already progressive programming. The Artist In Focus strand is the festival’s attempt to go further in-depth with two selected artists; a headliner and a New Artist in Focus, i.e. an upcoming artist. Each artist participates in talks and performances and has several works presented in various forms throughout the weekend.
This year’s Artist in Focus is befittingly Laurie Anderson. Crossing decades, music genres, and art forms she makes a perfect – and very popular – first pick. She hits squarely in the musical heart and head of the Rewire audience. Læs resten