Passive/Aggressive

JAWS – Omringet af online-notifikationer

Kritik April 6 2017 Jaws - Object Dom

JAWS “Object Dom” (Hundebiss, 2017) – Anmeldelse af Alexander Julin

JAWS – alias Robert Giradin ((ex-)Excepter, Sex Boyz) fra Los Angeles – har længe været tilknyttet det italienske label Hundebiss (Dracula Lewis, Stargate, Primitive Art m.fl.). I 2012 debuterede han hos selskabet med “Stress Test”, der blev fulgt af det ligeledes eminente album “Keys to the Universe” i 2014. Med Object Dom fortsætter JAWS sit sonisk eksplosive udtryk, men med en ny og (mere) intens følelse af humoristisk ambivalens. Læs resten

Et ideologisk håndtryk – Passive/Aggressive broadcaster på The Lake i denne uge

Feature November 18 2014 Glenn_Branca2 kopi

Tekst: Simon Christensen. Fotoreportage fra Glenn Branca-koncerten af Søren Rye.

Passive/Aggressive har kurateret den næste uges program og 50 musikstykker til søen, som udgør den nystartede uafhængige internetradio The Lake. Det gør vi i anledning af udgivelsen af vores nyeste magasin ZINE #5.

Læs resten

Excepter – How not to obsess over every little thing, an interview with John Fell Ryan

Blog November 18 2013 jfr-kutna-hora

Af Emil Thorenfeldt

New Yorks fremmeste eksperimenterende orkester, Excepter, udsender i dag Christisland, der er deres første reelle udgivelse efter et par års pause for improvisationsgruppen, som ellers har udgivet i adstadigt tempo siden 2002. Pladen bliver til gengæld den første i en række af udgivelser fra John Fell Ryan & co. i løbet af det næste års tid, og den har i særdeleshed et dansk aftryk i form af label, line-up, titel og coverbilleder. Excepter kan bedst beskrives som et improband med rockinstrumenter og trommemaskiner, der ser som sit eget formål at skabe en parallelvirkelighed til den gængse musikverdens måde at være sig selv bevidst, at være hip og at være konsumerbar – og derfor i spøg reduceres med FACT’s lakoniske beskrivelse: “Excepter is a freaky art/dance ensemble.”

Christisland-projektet har sit udspring omkring af erklærede Excepter-fans i form af folkene bag Sejerø Festival og Escho, som inviterede John Fell Ryan (ex-No Neck Blues Band) til Danmark sidste år og indspillede pladen i København med et flot og åbensindet line-up med amerikanske Robert Girardin (fra Jaws), Lala Ryan og Jon Nicholson, samt Malthe Fischer, Rune Kielsgaard, Nis Bysted og Niels Kristian Eriksen. Dermed er det nye label Cejero også kommet glimrende fra land med den første af fire planlagte udgivelser med hhv. de sidste to års mest prominente Sejerø Festival-navne, Excepter og noisemusiker Robert Turman, samt to andre Sejerø-affiliates i form af Menthol (Kim Las og Niels Kristian Eriksen) og toto (Tobias Kirstein og Toke Tietze Mortensen).

Passive/Aggressive: How did the record come about?
John Fell Ryan: – It started just getting us to Sejerø. That sort of brought us to make a whole tour, and in the making that tour we didn’t realise that Europe kinda shuts down around that time and that it would be difficult for us to find any shows in late July/early August. Paul Smith, who runs Blast First Records, said that we should make an album which we did; in order for us to make our way to Denmark I had to get a grant from the DIVA foundation and part of that was that I was to make a recording and involve local musicians and run a workshop. The record came about just of necessity before finding a way to get us to the magical island of Sejerø. It went really well, we all got along and had a great time. So I was ultimately left alone in Copenhagen for three weeks after the band left and after the tour and after the fest and everything. The mixing and overdubbing of the record was done during that period.

How does it differ from other Excepter releases and how was it recorded?
The core rhythms were programmed in collaboration but mostly Jon Nicholson doing drum machine programming and then everyone else sort of improvised on top of that. And it’s mostly instrumental which we do do but it’s distinct from our LP work which is focused around vocal songs. But we’ve always done these experimental EPs where we try on new hats.

Why instrumental? Was it just something that happened along the way?
It was originally planned to have vocals on it but it was recorded all instrumental, I just didn’t have any vocals ready when we hit the studio. I figured I would have time to add the vocals later during my solo stay in town but the more that I worked on it, the more it seemed to be unnecessary. I mean, I have lyrics and everything written out [laughs]. I recorded some vocals but it was so dense already it didn’t seem to need them other than the backing vocals.

With the type of recording process you have, a lot of the decisions are made pretty late in the process.
Oh for sure, especially with the last batch. We would tend to over-record and then reduce. Over-record multi-tracking and then cut away. There may be 20 minutes improvisation for each side and then ultimately it ended up being 16 minutes on one side and 11 minutes on the other. so there wasn’t that much editing for a record. It was more of just removing tracks. The funny thing is, we spent almost an entire day doing guitar overdubs on guitar overdubs on the tracks and then when it came down to it I just jettisoned all of them. The sort of heavy metal guitar sound you’ll hear on the EP is actually a synthesizer. Lala [Ryan] played that on her white plastic Roland synthesizer.

It’s difficult to define the Excepter sound. How would one even go about putting a genre on it?
I’m loath to do it [laughs]! We have our influences but they don’t tend to be our contemporaries. It’s influenced by record collecting. Improv for sure, but also tools and techniques of electronic dance music. Drum machines and synthesizers, etc. But we don’t make dance singles.

Yeah, you can definitely track a lot of different influences from reggae to early German electronic music.
Yeah, we love all that stuff. Læs resten

Mixtape: Cejero Ramblings

February 5 2013 tommerflaade

Sejerø Festival har igennem de sidste par år markeret sig, ikke bare med en musik- og kunstfestival, men også nogle dokumentationsprojekter. Af noget musik, af kunst, af en følelse, som blandt andet er blevet til fotoserier, det fremragende videoprojekt “Sejerø Festival Archive”, pladeselskabet Cejero osv. alt sammen inden for en ideologisk og kunstnerisk ramme af nonprofit, tæt på naturen og følelsen… og hvordan man ellers kunne beskrive det. Skribent Jeppe Berg kaldte festivalen for “et monument over en følelse“.

Det nyeste projekt er en serie mixtapes under titlen “Ramblings”, som bliver lagt ud hver måned i 2013 – uden trackliste i første omgang, og indspillet manuelt – og her er der både plads til world, elektronisk, egne festivalfavoritter og Beach Boys, som falder inden for Cejeros arbejdstitel af et slogan working for radical and curious music. Det samme prøver vi at gøre på Passive/Aggressive. Der er premiere på mixtapet herunder.
Læs resten

Sejerø starter pladeselskab og debuterer med Menthol

Blog December 4 2012

En af landets interessante festivaler Sejerø Festival debuterer nu også som pladeselskab. Cejero, som de kalder sig, udgiver som det første en single og dernæst en ep med danske Menthol, og senere på året følger sørme en ep med amerikanske Excepter, der spillede i år på Sejerø og som i sensommeren gav en artist talk hos Insula på Blågårdsgade.

Men først gælder det som nævnt Menthol. Første lyd fra duoen, der består af Niels Kristian Eriksen fra Thulebasen og croonerprinsen Kim LAS, er ren legeplads. Med singlen ”Infesdefenghis” befinder vi os i et maximalt chopped and screwed-lydunivers på en bund af mørke synthflader, som kunne stamme fra Oneohtrix Point Never. Med strofen ”future shadows” får Kim LAS’ autoritære stemme dog lov til at skinne klart igennem og bliver et flygtigt fikspunkt i deres virvar af vokalmanipulation. Læs resten

Excepter artist talk i København: “beat-survival and how to make it in the avantgarde”

August 28 2012

“I have been asked to give an artist talk
on the request of the Danish government
in exchange for my ticket here and back [laughter]

I have been asked to talk about beat-survival,
and how to make it in the avantgarde under today’s economy
which I will refer to the OD Beatnick, Mr. Allen Ginsberg
whom I never got to meet,
except his boyfriend
– at least that’s what he said, he was –
outside a punk show in the lower east-side of New York City…”

John Fell Ryan, hovedmand i New York-gruppen Excepter og i øvrigt stor The Shining-fan, har været i København siden Sejerø Festival på et kort dansk arbejdslegat. Fredag aften gav han en artist talk (ca.) Insula på Blågårdsgade. Eller rettere. JFR holdt et 70 minutters oplæg, fortalte gennem skiftende effekter om musikken/avantgardens udvikling i New York og kontaktmikrofoner, tegnede skitser og spillede en masse plader fundet i kasserne langs væggende i forretningen.

“…a better lesson can never be learned
especially in the world of music
where people will sell anything for anything

a free drink can cost you your career

but why are we talking about money
when it is obvious there isnt any here
why do musicians constantly pass the talk about the money
even in the Wire Magazine
where we famously talked about money in our interview
it cost us every relationship
they found out the truth
we have been blowing the big ones
on big tours to nowhere, west coast, didn’t care you know

I’m talking about a band, an avantgarde band
that even writes singles
a single costs just as much as an album
it is the same amount of plastic and the same amount of cover
but you can only charge half as much for it
but why? because there is less time involved, less effort?
less music?
is music sold by the yard? scratch paper, butcher paper?
is music worth the paper it is printed on?”

Hør hele John Fell Ryans artist talk:

Sejerø Festival revisited – Et monument over en følelse

Feature August 17 2012

tekst af Jeppe Berg, fotos af Kajsa Gullberg, Martin Søgaard Hansen, Marianne Jørgensen, Brendan Leahy og Chris Swan

Sejerø Festival, 3.-4. august 2012, adskiller sig fra den voksende mængde af danske festivaler ved at have en mangfoldig line-up med både internationale og særlige danske projekter. Arrangørerne har ved siden af et stort fokus på et divers musikprogram, gjort meget i udsmykning af festivalens små rammer. Dette er gjort i et fint sammenspil med de smukke naturomgivelser på Sejerø, som festivalen befinder sig i. Dermed har festivalen formået at skabe intimitet, nærvær og en ramme, hvori musikere og gæster frit kan boltre sig. Læs resten