Solhorn ”Kredsbevægelsen” (År & Dag, 2019) – review by Wieland Rambke The dominance of algorithms has come into being at breath-taking speed, particularly in the last 20 years. Coding as a creative tool is spreading fast among musicians, artists and designers, sitting in an odd position between strict science and artistic expression, between the subjective and the objective. Yet the nature of code is elusive: We ...