Sugar “No Sex Only Feelings” (Euromantic, 2018) – review by Cameron Pagett Sometimes it’s good to let loose… really loose. Have the ability to let yourself go and simply move and enjoy the moment, twist your hips, turn your head and give in. It’s nearing 3 AM in Volume KPH at the gateway to spring with the windows shaking and nearly giving out from the booming ...

Maria W Horn “Kontrapoetik” (co-released by XKatedral and Portal Editions, 2018) – review by Sandra S. Borch What caused the Swedish composer Maria W Horn’s sounds of burning turmoil is a combination of the sound itself and the intense narrative which she has based her album upon. Maria W Horn explores the past of her home region, Ångermanland, in the north ...

Mixtape by Chris Shields, introduction by Simon Christensen.

Copenhagen-based musician, producer and sculpturist Chris Shields, also performing under the monikers Ro, Marcel Du Swamp and in the duo Vid Edda, grew up split between Baltimore and relatives on the European continent, mostly in the Alps. As his own music draws from a wide range of sources, so does this new autumn mixtape “Leaves are changing colors, head is turning from the sun towards hands and the ground”, made for Passive/Aggressive. The mixtape reflects the sounds of Ro/Chris Shields who envelopes both noise music, musique concrète, field recordings, recorded speech, modular synthesizer systems as well as handcrafted instruments in wood.

Leaves are changing colors, head is turning from the sun towards hands and the ground. A collection of favorites to enjoy. Track list below.

die Reihe – Vocoder (Anòmia, 2018), review by Mikkel Rørbo. “Vocoder” is Jack Callahan’s new EP under the die Reihe moniker. We are told that much in the first few seconds listening to said record. All of “Vocoder” is focused around the reading of a text by Callahan explaining e.g. the history of the vocoder and the components of the EP’s sections; there is ...

Interview by Alexander Julin, photo: Sean Marc Lee Alex Zhang Hungtai has been creating enormously diverse music throughout his career. In addition to the also stylistically diverse project Dirty Beaches, Hungtai has been releasing music under the moniker Last Lizard and more lately in his own name. Besides the more free jazzed collaboration with David Meranha and Gabriel Ferrandini as well as ...

Blonde Redhead at Vega, August 29th 2018 – live report by Ivna Franić Passing on opportunities to indulge your 16-year-old self by going to see bands you were into at an earlier stage in life (and had slightly lost interest in over the years) normally isn’t a very difficult task, at least for some of us. Whether it’s out of fear of disappointment, poor previous experiences ...

Lost Lands Festival, Copenhagen, August 17-18 – review by Wieland Rambke, photos: Cameron Pagett For its third installment this year, Lost Lands seized the grounds of a small space on Copenhagen’s Refshaleøen and transformed it into a magical clearing. Approaching the festival a day before it started, the first thing I saw was the shape of a rusty boat hall, lying in the landscape like an ...

Asger Kudahl ”Sketches for Revolution” (Resonans Recordings, 2018) – review by Wieland Rambke Good old revolution! Can we even still imagine it? And how about the one that is most pressing and most urgent? Through the course of human history, revolution has meant the end of oppression: The casting-away of the yoke of submission. But today, a whole new revolution is needed: A revolution to end ...

By Wieland Rambke How do you create a space without a context? This question lies at the heart of new-founded experimental music label Disformation, conceived by Casper Gottlieb and Jesper Bagger Hviid of Copenhagen-based noise act GOHV. In its output, the label seeks to release music that pits itself against the very notion of context: Disformation rejects the creation of narratives as a whole. For the listener, ...