Passive/Aggressive

Syv rejser i det musikalske kosmos anno 2020 – Astralt, psykotropisk og 0% tvangsoptimistisk

Blog May 6 2020, af mikkelarre

Dire Wolves henter forsyninger inden afgangen mod andre galakser Af Nicklas Sørensen Her er et udvalg af de bedste plader, der indtil videre er udkommet i år. Det er ikke et definitivt udvalg, men et udvalg fra min liste. Fælles for lidt over halvdelen af titlerne på min liste er, at jeg har opdaget musikken via WFMU-radioprogrammet The Avant Ghetto. Et radioprogram, der efter eget udsagn ”wanders through ...

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Fortidens avantgarde er nutidens pop – Om den historiske avantgardemusiks indflydelse på moderne populærmusik

Feature May 4 2020, af emilgrarup

Komponist og lydingeniør Pierre Schaeffer i sit studie, hvor han bl.a. arbejdede med fonografer, båndafspillere og sin selvopfundne ‘phonogène’. Essay af Mads Hæsum ChristensenDet kan være svært at se, hvordan upopulær kunstmusik nogensinde ville kunne påvirke omverdenen og efterlade spor i populærmusikken, når den til tider opføres for et publikum, der kun tæller familie, de nærmeste venner og et par forvildede gæster, der alligevel ...

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Scientific Sonification – The Sound of Corona

Feature May 1 2020, af nilsbloch

Essay by Holger Schulze, professor of musicology at the University of Copenhagen. Can you hear the coronavirus? What does it sound like? Recently, some compositions which used data gathered from the coronavirus, stirred up some conversations among listeners, composers, musicians, scientists, engineers, and artists: the “Proteine Counterpoint Sonification”.

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“Unfuck the World, You Stupid Girl” – If Grimes is the Villain What Does That Make Us?

Feature April 9 2020, af nilsbloch

An essay about pop music and the climate crisis with Grimes as a case study. “Miss Anthropocene” is out now on 4AD. Written by Macon Holt. Grimes, Claire Boucher, C, or indeed the eponymous “Miss Anthropocene”, has gone to a lot of trouble to invent alter egos for herself as a part of her creative practice. But reading the swathe of not-mad-but-disappointed reviews of ...

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Messell – The complex beauty of our communicative failures (interview)

March 21 2020, af mikkelarre

By Macon Holt “If no one fits in,” said Martin Messell to me in his studio in Nørrebro, Copenhagen, “then maybe we don’t have to worry about fitting in.” We were talking about the concept behind his first album under his surname as an artist’s moniker, “Ligesom Rigtige Mennesker”. In translation, the title has a certain ambiguity as it can mean either “just like ...

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“Sonisk krigsførelse” – En introduktion til Steve Goodmans vibrationelle ontologi

Feature March 20 2020, af nilsbloch

Passive/Aggressives seneste printudgivelse, “Steve Goodman: Sonisk krigsførelse”, er en oversættelse af kapitlet “13.7 milliard f.kr.: Vibrationskraftens ontologi” fra Goodmans epokegørende bog Sonic Warfare: Sound, Affect, and the Ecology of Fear (MIT Press). Udgivelsen rummer foruden oversættelsen af Goodman et essay af Macon Holt, hvori han introducerer Goodmans vibrerende univers. Vi bringer her et uddrag af dette essay.

Ingrate – Hvert track sin gimmick (interview)

Feature March 6 2020, af emilgrarup

Af Emil GrarupProducer og musiker Anton Lenander udgav d. 14. februar sit andet udspil under aliasset Ingrate på det københavnske pladeselskab Anyines. EP’en, som hedder ”With A System in Mind”, er et bastungt konglomerat af techno, IDM og jungle og har – ligesom sin forløber, singlen ”Crypto Poser/The Enigma” på Oli XL’s selskab W-I – en eksperimenterende og legesyg indstilling til de førnævnte ...

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Peter Voss-Knude – “Danish politics are the mother of this record”

Feature March 4 2020, af nilsbloch

Feature/Interview by Macon Holt “Danish politics are the mother of this record”, Peter Voss-Knude told me in a small cafe around the corner from the Museum of Contemporary Art in Roskilde, where his new exhibition, “The Anti-Terror Album”, manifest both as an exhibition and a record, has just opened. He is of course referring both to recent policies that have seen threats of refugees having whatever ...

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