Passive/Aggressive

Fast Forward – The past is recent and the future is wide open (interview)

English March 10 2018 IMG_0388

Interview and images by Cameron Pagett

“I like it,” Nikolaj Jakobsen remarks with a gratifying sip of beer as I inquire about the infamous Fast Forward Alien Head logo. Lukas Højlund pauses in the moment and mentions; ”Yeah, it was never supposed to be the logo … on the first party at Ungdomshuset we put all sorts of things on the poster … We also had the bio-hazard symbol, but it’s not really the logo.”

I still have the first Fast Forward poster on my desktop, 2015 is not so long ago, but looking at the visual building block and having a reasonable understanding of what happens next after 400 people danced the dark away at Ungdomshuset I am feeling nostalgia. The poster feels retro now and it’s undeniably cozy when I reckognize some of the same people have played at recent shows and one played at the two year anniversary in November. Two years really isn’t so long ago, but after 30 raves, an eternity of shared memories, an explosion of growth, a new, unique agency and thousands of stories within a growing community the first party with the first Alien Head feels ages away.

Two years after the first poster I have the same alien head on my scarve shielding my face from a cold wind off Istedgade, I am finally on my way to a Fast Forward Party. A fairly recent resident in Copenhagen I mostly heard about Fast Forward through my girlfriend after buying her the Alien scarf from Posh Isolation’s 8 year celebration in March, 2017. I didn’t realize then that the unofficial official logo was connected to the agency and collective currently throwing the biggest techno parties in Copenhagen. Now less then a year removed I’m stuffing a warm durum in my backpack to hold me through the night and I’m cycling to work past kl. 23 at the much anticipated two year anniversary party located centrally in the large former train warehouse KPH Volume in Vesterbro. The windows are shaking and the walls pulsing to the opening tracks from Bunker Bauer power group Sella Turcica and Osvald Lund Rønde, and I am feeling any late night fatigue fade from my body as each sound wave pushes it out. It’s still early, I greet familiar faces, meet new ones, orient my camera and enjoy a nice beer with the door girl while devouring a now lukewarm durum kebab.

The floor is already vibrating with a small contingent of earlies enjoying an explosive, seething opening set from Sella Turcica and Rønde. I begin to wander through the space and start my night. Volume consists of two rooms with the entry room consisting of a large coat area and a rather impressive visual installation made specifically for the event by Fast Forward Collective Artists Ida Engelhart and Sara Konoy. The artwork and excellent lighting system from Tobias Molter and Paloma Cuesta is already bringing a special ambiance to the half full warehouse, and is not at full strobing power yet, but is still pushing out enough vibrant streams of color and mystery onto the floor to inspire. My camera begins to feel ready after the first couple of beers start to hit me and I feel myself unthaw from the cold ride. I’m feeling it’s time to start work and take my first pictures. Læs resten

Fast Forward Turns Two – A photo-reportage

English March 10 2018 IMG_9640 IMG_9228 IMG_9543

Photo-reportage from Fast Forward 2 Years feat. Freddy K, Hyperaktivist, CTRLS, Khalil, Osvald Lund Rønde, Sella Turcica @ KPH Volume by Cameron Pagett.

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Minais B – Teknologisk og velplejet menneskelighed

Kritik November 27 2017 37570691211_ea9c157625_h

Minais B “Deep Care” (Anyines, 2017) – anmeldelse af Emil Néné Rasmussen

Minais B alias Villads Klint udgav i september albummet ”Deep Care”. For nogle vækker navnet måske mest af alt associationer til den nye gruppe Khalil, men han har tidligere udgivet to bånd som Minais B på Blodrøde Floder samt en EP på Petrola 80.

At kalde “Deep Care” et album er imidlertid ikke helt præcist. De 12 numre er udkommet som en download-kode indeni en lille beholder af fugtighedscreme, og det er ikke så underligt. Som den første udgivelse på det nye københavnske label Anyines får det næsten karakterer af et manifest: Følelsen af merværdi i produktet, brugsværdien og anvendeligheden i et stykke såkaldt kultur. Et stykke teknologi, i dette tilfælde internettet, hæver sig hoverende over den gamle fysiske udgivelsestradition ved at vende tilbage som et sekundært tillæg til et fugtgivende kropsplejeprodukt. Teknologien og den personlige pleje sammensmeltet i ét hele. Personligt har jeg endnu ikke prøvet cremen, så jeg skal ikke kunne sige, om den lever op til de løsslupne strømninger i musikken. Læs resten