Passive/Aggressive

Percy Records – having friends over for birthday

February 11 2019
Photo: Cameron Pagett

Percy Records 2 years, Mayhem and Bolsjefabrikken, February 2nd 2019 – live report by Ivna Franić

It’s almost hard to believe that Copenhagen’s Percy Records has only just turned two. In the brief couple of years it’s been around Percy has come to be more than just a record store, with occasional record release parties and afternoon DJ sets contributing to the place’s image of a social hub for local DJs, artists, electronic music fans and vinyl aficionados. It’s small wonder, then, that Percy’s second birthday celebration was all about chill atmosphere and friendly vibes.

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Croatian Amor – Examining the lethargic melancholia of the digital age

English Kritik January 31 2019
Photo: Jane Pain
Photo: Jane Pain

Croatian Amor: “Isa” (Posh Isolation, 2019) – review by Ivna Franić

Returning with his first album since 2016’s gorgeous “Love Means Taking Action”, Croatian Amor once again delves into desolate moods and meditations on navigating the digital world. If the previous LP hadn’t made it clear enough that the project was moving away from the tried combo of warm bubbly synths and crude industrial noises, 2017’s “Finding People” EP and the accompanying live shows made it known that the change was here to stay. “Isa” sees Loke Rahbek further follow this path, leaving behind certain elements that made his previous album work so well – such as the light touch of goth romanticism layered over experimental ambiance – in order to make room for new ideas.

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Scandinavian Star – Klarhed og elegance gennemsyrer tragisk narrativ

Kritik January 25 2019

Scandinavian Star “Solas” (posh isolation, 2018) – Anmeldelse af Emil Grarup

Malthe Fischer har netop udgivet sit solodebutalbum på københavnske Posh Isolation. Albummet, ”Solas”, er Fischers første længere udspil under aliasset Scandinavian Star. Tidligere har han udgivet to eponyme EP’er på hhv. amerikanske Ascetic House og japanske Big Love, begge i 2015. Desuden er han aktiv i synthpop-gruppen Lust for Youth.

Både sangtitler som ”Candi”, ”Alang” og ”Regal V”, såvel som Fischers kunstnernavn, refererer til den samme hændelse: Den store brandkatastrofe på den danske passagerfærge MS Scandinavian Star i 1990. Branden, som menes at have været påsat, er i dag 28 år efter stadig ikke opklaret. Med sine 159 omkomne er der ellers tale om den største mordsag i Skandinavien efter 2. Verdenskrig.

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The Empire Line – The Oslo report

English April 8 2018

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Reportage from The Empire Line, Varg, Croatian Amor, Vanity Productions at Blå, Oslo, 22.03.2018. Text and images by Cameron Pagett.

There is a river which runs through the heart of Oslo. Beginning in the mountains and trickling its way down from the Artic sea on the northern tip of our continent, past fjords and craggy peaks which carve the stocking shaped country’s landscape into an epic, serene and quiet place. The sun is out and snow covers most of the hilly and forested terrain as we begin our final approach into Oslo. The closer we get to land the more visible the open spaces cutting through the trees reveal themselves as ski slopes and the entire country begin’s to resemble one giant ski resort. It’s early afternoon when we land, and I am seated some way behind Posh Isolation founders Christian Stadsgaard and Loke Rahbek, who after a decade of releasing music out of a DIY-ethic in Copenhagen are now traveling with international acclaim. It’s my own first time in the country and for Stadsgaard his first in 11 years, and a first ever showcase here for Posh Isolation. After a brief rendezvous at a convenience market in the airport we separate without words to our lodging places beginning what would be an interesting evening in the last major city of the North. The sun is shining, the snow is melting and the river runs with momentum along the clean and well manicured banks before meeting the inner fjord on which the city stands. Somewhere near the end of the river is a brick building covered in graffiti named Blå. Now an establishment, and opened since 1998 this river-side, somewhat historic and unassuming space would be the host for our evening.

Children step into the train with ski’s and snow-suits (quite regular I hear) as I exit into the city centrum and head to my Airbnb. There are a few hours to spare before the show, and walking around feels like visiting an old friend in a new place. Passing the Nobel Prize house and the Museum for Surrealist Painter Edvard Munch, I get the idea that this place holds everything I have heard about but couldn’t locate from first-hand memory. Slinking atop a small table in the dark my Airbnb host who closely resembles an opiated railway worker from the 1800’s crossed with mid-life Gollum looks at me suspiciously when I arrive. After some convincing that it was me he was hosting, he asks me if I can just come back later because he is not ready. I am not too fond of the idea, and I am put in a made-over closet for the night. Luckily the bed isn’t half bad, and even though he won’t stop staring at me from his table-top perch by the corner near the door I feel happy that the night will soon begin. Oslo is a small city, smaller then Copenhagen, I am staying on the opposite end of the city from Blå and its only a 20 minute walk. Camera is in my backpack, time to move, it will be a tale of two or possibly an endless night. Læs resten