Passive/Aggressive

Endurance x Mala Junta x Mess – Full Bliss (live report)

Blog September 28 2019

“Endurance x Mala Junta x Mess” (7th of September, 2019) –  Live reportage & photographs by Cameron Pagett Left hand grasps for balance against the angled and curved wall of the old airline hangar at Refshalevej 185 in the depths of Refshaleøen. Lazers cut like scalpels across the high rounded ceilings slicing with precision through the rising smoke billowing from the stage. Right hand grasped with a new ...

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Sugar – Submerged on the dance floor

English Kritik October 25 2018

sugar Sugar “No Sex Only Feelings” (Euromantic, 2018) – review by Cameron Pagett Sometimes it’s good to let loose… really loose. Have the ability to let yourself go and simply move and enjoy the moment, twist your hips, turn your head and give in. It’s nearing 3 AM in Volume KPH at the gateway to spring with the windows shaking and nearly giving out from the booming speaker ...

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Sortlegeme – Soundtracket til et sted, der ikke findes (interview & mix)

October 20 2018

cover2000 Af Alexander Julin Jeppe Dalsgaard Andersen har foruden droneprojektet Outer Nothingness i særdeleshed gjort sig bemærket med soloprojektet Sortlegeme i de senere år. Mens der i 2016 og starten af 2017 udkom Sortlegeme-udgivelser på både Moral Defeat, Memory No. 36 Recordings og srt, Dalsgaards eget label, er det nu lidt over halvandet år siden, at projektet sidst udgav noget, i form af båndet “Permanence”, der udkom i kølvandet på den ligeledes fænomenale EP “kolossal”. Selvom numrene ...

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Terraforma2018 – A festival of superior, sustainable bliss (live report)

Blog English August 10 2018

HaCylkgA Terraforma Festival 2018, Milan, Italy, 29.06-01.07 – review by Sandra S. Borch. Photos by Delfino Sisto Legnani and Guido Borso For the past four years Villa Arconti, a baroque rural palace just outside Milan, has been home for one of Europe’s most blissful festivals, Terraforma. First held in 2014 with a line up featuring Voices From the Lake, Pierre Bastien, and CB21, and later editions have included artists such ...

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SØS Gunver Ryberg – En vekselvirkning mellem atmosfæriske kompositioner og skarptskydende rytmer

Kritik June 29 2018

SØS Gunver Ryberg © Emil Hornstrup Jakobsen SØS Gunver Ryberg “SOLFALD” (Noise Manifesto, 2018) – anmeldelse af Ida Selvejer Faaborg SØS Gunver Rybergs nye ep, “SOLFALD”, består af seks eksperimentelle numre, som skiftevis bevæger sig fra smukke og atmosfæriske kompositioner til insisterende og ubarmhjertigt hårde technobeats, der omfavner Rybergs mange facetter som komponist og lydkunstner. Udgivelsen rummer bl.a. optagelser fra live-performances og manipulerede feltoptagelser som f.eks. på åbningsnummeret ”Kredsløb”, ...

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Pinkman – Celebrating five years of distribution

Blog English June 24 2018

tears1 Af Sandra S. Borch Through the past five years the Rotterdam imprint Pinkman has established itself as one of the most consistent platforms for pushing and distributing retro-futuristic and driving electro grooves. This is marked with a compilation series called “Five Years of Tears”, and the first selection up features three usual suspects and one newcomer.

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Sansui – Æstetisk alsidighed på godt og ondt

Kritik October 24 2017

sansui Sansui “3VPP” (Interzone Tapes, 2017) – anmeldelse af Alexander Julin Danske Interzone Tapes har siden 2013 udgivet bånd med både hård og konsekvent techno såvel som mere obskure og ambient-tendenserende udgivelser. Efter at have udgivet artister såsom Selvmordsskolen, Metis og Rundhyl har labelet i den senere tid været aktuelt med udgivelser fra bl.a. Videodrones, Fallen Metropolis og senest Grøn og Sansui. Med udgivelsen af “3VPP” debuterer ...

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Berlin Atonal 2017 – Low-risk techno

September 10 2017

Abul Mogard_Berlin Atonal 2017 © Camille Blake-2 Berlin Atonal 2017, August 20th-24th – live report by Ivna Franić, photos: Camille Blake/Atonal Berlin Atonal’s second incarnation quickly gained the status of an industrial techno institution, bringing some of the strongest names in the game to perform exclusive sets in a unique setting year after year. Now in its fifth year, Atonal 2.0 starts to show signs that ...

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