Reportage
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Øhavet festival 2024 – helende oplevelser fra Ærø
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In Situ festival i Ørestad – genklang af en konstrueret by
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Cherry Music Festival: Modular syntese og forårsdrømme om Japan
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Øvelser i fonologisk opmærksomhed – “Kan man godt sige dét der i en kirke?”
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Organ Sound Art Festival – adventurous organs in contemporary music
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MINU: Festival for Expanded Music 2023
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Festival of Endless Gratitude – en fejring af det anderledes, som vi kender det
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Struer Tracks – Environmental crises and spiritual experiences through the perspective of sound art
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Frigjort Festival – Mangfoldighed, løse hunde og et hamrende skarpt undergrunds-lineup
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Utopi eller apokalypse? – refleksioner efter fire dage på Roskilde Festival (del 1)
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Intonal Festival 2023 – Bold Choices
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The Bottomless Anxiety of Holding on to Anything – The Lake’s Works for Radio 2023
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Laila Sakini and Thomas Bush – Tangible Intimacy
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CTM Festival: Puce Mary åbner portal til kroppens indre på Berghain
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Quatuor Bozzini – The gentle ecstasy of extracting musical grammar
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Festival of Endless Gratitude – Reconfigured and re-enchanted
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Antechamber – Feast of performances
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Simian – En aften i kontrasternes tegn
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Festival of Endless Gratitude 2020 – Opening the windows of the mind (live report)
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Northern Winter Beat 2020 – En ode til mørket (reportage)
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Teksti-TV 666 – Vi skal motorvejsrocke og bolle
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Proton-showcase i Berlin – Refleksioner over Apple-ambassadører og vansirede sange (reportage)
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Puce Mary + Drew McDowall + Kali Malone + Manisdron – Reliable Noise (live report)
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Akio Suzuki – Ekkoet af Møn
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Vellness Plader – Tak fordi I kom (en fotoreportage)
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Det Gyldne Liv 2019 – En fotoreportage
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Chris Watson & Jez Riley French – Field recordings i højlandet (en rejsedagbog)
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Port Out, Starboard Home – Stil bliver form
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Click Festival 2019 – Strategies of resistance (a live report)
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Eartheater – Live in Copenhagen
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Intonal Festival 2019 – Snapshots from the peripheries
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sega bodega & CPH Power – More than a show
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Percy Records – having friends over for birthday
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Percy Records 2 Years – A photo reportage
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Året der gik i billeder – En fotoreportage over 2018 ifølge Martin Breidahl
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Graham Lambkin, Vilde Tuv & Paisajes – En virkelig god aften i sin sammensathed
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Insomnia Festival – Northern Exposure (live report)
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PAN – Electronic music’s adventurous rebellion turns 10
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Festival of Endless Gratitude – Ambling the rim of sound (live review)
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Remembering Knife Fest – in pictures
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Lost Lands Festival 2018 – Partying and experimenting with the apocalyptic hippies (live report)
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Lost Lands Festival 2018 – Photo reportage
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Honeyland Festival 2018 – En fotoreportage
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Det Gyldne Liv 2018 – En fotoreportage
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Embrace – Ny opsamling omfavner diversiteten i dansk elektronisk musik
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Click Festival 2018 – a photo reportage
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Rewire Festival – Crossing decades and genres with Laurie Anderson (and then going into the dark)
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The Empire Line – The Oslo report
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MaerzMusik – Deconstructed and recomposed (a live report)
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Yves Tumor – Perfectly unpredictable (live report)
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Fast Forward Turns Two – A photo-reportage
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Rashad Becker & Croatian Amor – Into a surreal spacial continuum (live report)
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Astrid Sonne & Xenia Xamanek Lopez – Fotodagbog fra Japan
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CTM Festival 2018 – Entanglements, attractions and contradictions
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A Starry Night by Honeyland Palace – En fotoreportage
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Toldermania – En fotoreportage
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Dedekind Cut – Ruly ambiance (live report)
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Phono17_Encourage – Clear sight through the largely unexplored
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Festival of Endless Gratitude 2017 – Sketching the outer edges of sound (reportage)
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Berlin Atonal 2017 – Low-risk techno
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Honeyland Festival 2017 – En fotoreportage
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Wolf Eyes – The demonic joy of decay (live report)
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By The Lake Festival – An oasis of music of all ethnicities (live report)
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Vanessa Amara + Health & Safety – Kursskift og kollektivitet under kirkehvælvingerne
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Musik Til Mor – Subversiv stilstand
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Présences électronique – Dage i lydfænomenets arrondissement (reportage)
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Halfdan Pisket og “Den Usynlige By” – Tilgængelighedens politik
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Fotoreportage – Martin Breidahls København 1. kvartal, 2017
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Percy Records – Vogteren på Heimdalsgade
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Tropic of Cancer – Submerged in low BPMs and washes of reverb (live review)
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Princess Nokia – “Don’t you fuck with my energy” (live review)
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Opaque – Dedicated listening at a proper club night? (live review)
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Autopsia – Kroppens iscenesættelse (reportage)
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Copenhagen Harsh Noise Assault – Mellem smertehavet og den blideste berøring
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Jyderup Accordeon Træf – A jetlag paradise
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Ensembles Tokyo – Radioaktiv improvisation som pacifistisk musikalsk aktivisme
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Zimoun – Et nøje kalibreret kaos
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KUBE feat. Smerz, Bjørn Svin, Rumpistol & Mikkel Meyer (fotoreportage)
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Roskilde i snapshots (fotoreportage)
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Communions vs. Spot Festival
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Henning Young riv ned og Af Med Hovedet 3 års samling
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Da Aarhus-punken krydsede knojern med Lorteøen (reportage)
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Femten nuancer af grå og myrekrig på LAK festival 2013
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Gensyn med Fanø Free Folk 2013
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Et Sejerø-trip gennem ormehuller, kiosk-København, WTF-skalaen og andre sproglige billeder
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STARGATE – Superhelt for kirurgisk trance og abstrakt computermusik
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Et blødt ekko af Click Festival – katarsiske kicks, notoriske tåbeligheder og aggressive tonalangreb
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Fotoreportage – Jørgen Teller, The Home Of Easy Credit, SAV, Viktors Garage og Af Med Hovedet
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Snaredrum – Aarhus sødeste band i studiet
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THE END – Reportage fra Unsound Festival 2012, Kraków
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Fotoreportage – Synd & Skam på Bakken
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Phono Festival 2012 genoplevet
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Fotoreportage: Lower + Urban Achievers + Syringe
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Sejerø Festival revisited – Et monument over en følelse
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Fotoreportage – Happy Hookers For Jesus, First Flush, Emenkaya and Tumor Warlord
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Hindsholm lo-fi i Morten Korch’ske landskaber
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Fanø Free Folk Festival 2012 – Den frie musiks yderste, danske bastion
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Northside Festival – fødder, ører og pludselige indskydelser
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Deathcrush – popmusikkens skjulte ansigt
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Revolutionen, som vi husker den
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Papir fotoreportage
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Rising live in pictures
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Fotoreportage: Dirty Beaches + Marching Church